Nennir written instructions

5th October 2016: A corrected version of the written instructions has now been attached and can be downloaded here – Nennir-written-instructions-v2-0.pdf

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After getting a few requests for the written instructions to my free pattern Nennir (originally published in the Winter 2012 issue of Knitty), I’ve decided to post the file here so that it’s available to all!

Please note that this is a fairly basic text file, generated straight from my charting program, and as such does not include any explanation of the abbreviations, etc. – you need to refer to the page on Knitty for all the info on how to knit the cowl. This is simply a text version of the charts ‘Cable Pattern Part 1’ and ‘Cable Pattern Part 2’ (you will need to work out the edging chart yourself as it isn’t included in the text file!).

Ishneich pattern release + update on Celtic Cable Shawls book

It’s been rather quiet on this blog for a while – but I’m very happy to announce the release of the 7th (and final!) shawl pattern in my Celtic Cable Shawls collection: Ishneich!

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Ishneich is a top down triangular shawl pattern, designed to work well with a variegated yarn and a contrasting semi-solid (or solid) yarn. The variegated yarn is used in the body, and broken up with stripes of the semi-solid, which is also used for a cable border. I used two gorgeous shades of Malabrigo Sock, which I picked up on a lovely trip to The Yarn Cake in Glasgow, the day before my birthday (back in March). When I picked the shades originally, I wasn’t planning on using them together, as I didn’t think they would match, but once I tried some stripes, I was surprised by how well the colours worked together – it’s funny how that can happen sometimes!

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I wanted to take this opportunity to also give an update on the progress of the book. Celtic Cable Shawls is going to be released in print format (together with an update to the e-book version – so if you already have the e-book, you will also receive the PDF version of the print book, once it’s ready).

I have had many queries asking me about a publication date, and I’m really sorry to say that at the moment, I can’t give an exact date. I am self-publishing the book myself, and doing most of the work myself too, including layout and photography. I’m also working with a graphic designer to produce some tutorial diagrams, as well as with a couple of freelance tech and copy editors.

At the moment, all the photography for the book has been completed, and all the pattern are finished too. The diagrams are in the process of being completed. The main work left to do is all of the layout, all of the final editing, and also some introductory text that I need to write. So, it’s close to finished, but I’m reluctant to give an exact date, because co-ordinating a major project lik this is a bit of learning curve for me – I’m working with Lightning Source to print the book, and I’m not exactly sure how long everythinig will take to get ready once I submit the final file to them.

I will update this blog as soon as I’m able to give an exact date of release (you can also sign up to my newsletter, if you would like to be the first to hear about any news!).

I know a lot of you have been waiting patiently for the print book for quite some time, and I’m really sorry to not be able to give you an exact date yet – thank you so much for your patience, and for your interest in the book too. It’s really very much appreciated!

Kyna shawl + Celtic Cable Shawls – a rather exciting announcement!

I’ve just released a new shawl pattern – Kyna, a sideways triangular shawl with a twisted-stitch cable edging.

Now for the exciting announcement bit – this design is actually the second design in a collection of shawl patterns that I will be releasing in e-book format – and print too! Yep, I’m doing a book!



The e-book version is currently available for pre-order on Ravelry – when you pre-order it, you will get all the patterns currently released (at the moment this includes Taliesin and Kyna), and then you will receive the rest of the patterns as they’re released. There’ll be a total of 7 designs in the completed book.

Because Taliesin was released way before I announced the collection, I have set things up so that if you purchased Taliesin on Ravelry, the full cost of this pattern will be deducted from the cost of the e-book (note that you need to be signed in to your Ravelry account, and click ‘add to cart’ on the e-book source page for this to be applied automatically!).

If you’d rather get this book in print, then stay tuned – I will announce details of the print pre-order soon, and a complementary copy of the e-book will be included with every print book pre-order.

Lots more information here on my website!

The Tale of Taliesin

After a good few months of knitting, charting, testing, tech-editing… Taliesin is finally available!

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This shawl has quite a long back story, and I thought I would tell some of it here… the design is named after the Welsh poet Taliesin, but I will stick to prose!

It’s probably apparent from even a quick glance at some of my past designs that I’m completely obsessed with Celtic knotwork. I learnt how to draw it from the marvellous writings of George Bain (a truly wonderful artist, who inspired so many people with his books) and Aidan Meehan, and I love how the form is underpinnned with mathematical, grid-like structures, yet also allows for a lot of creativity. I don’t consider myself an artist and I’m not very good at drawing, but I can invent my own Celtic knots with relative ease, and I find it very relaxing.

Here are some early sketches of knotwork that I made back in April, with a view to turning them into a cabled shawl… originally my design was a little different.

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This was what my original swatch looked like:

Spot the mis-crossed cable!

Spot the mis-crossed cable!

I decided the different cables were just a bit too fussy, so I went back to the drawing board and simplified things a bit.

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I eventually ended up with the final design, and set about knitting it up with a beautiful skein of Old Maiden Aunt yarn that I got at the Edinburgh Yarn Festival in March. However, disaster struck when I ran out of yarn halfway through the cast-off!

Every knitter's nightmare...

Every knitter’s nightmare…

Perhaps it was a blessing in disguise though, because the shawl was a little bit on the small side for my tastes, and I wanted to enlarge it, so I got another skein. Even though it was from the same dye lot, the colours seemed a little different, and I was worried it would be obvious, so I striped the skeins a bit and in the end it looked fine.

Here it is blocking:

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This is where things get decidedly bizarre. Somewhat foolishly, given my track record of losing handknitted objects, I decided to wear this shawl to the Beltane Fire Festival on April 30. At some point during all the revelry, I must have dropped my shawl, and didn’t notice until after the event had finished and the security guards were shepherding everyone down from Calton Hill, where the event takes place. I tried my best to get back onto the hill, so that I could look for the shawl, but security said no. They said my best bet was to check with the council next day, as they’d be sending in cleaners to clear up the hill.

Now, I had a sinking feeling in my heart that I would never see my shawl again. It was about 3 am by this point, pitch dark, and I was making my way home. The route back to my flat goes past one of the small roads that leads to the top of the hill. All the roads were blocked off with large metal gates, but I happened to notice that there was no guard on this particular road. So, I might have found myself squeezing past that gate and clambering up a pitch dark hill at 3 am in search of a hand-knitted shawl. Yes, perhaps not the most sensible or safe thing to do. But I was desperate to find it, and also reasonably sure that the only people still left up there would be security guards, and not anyone who would try to murder/rob/violently assault me. So, up I went.

I got up to the top of the hill and was completely disoriented. I couldn’t even remember where I might have been standing when I dropped the shawl. So I picked a spot, figuring I had to start somewhere, got out my phone, switched on the torch function and began sweeping it along the ground. Within approximately 10 seconds, I spotted something like knitted fabric. I think I may have actually shouted, “NO WAY!” in my disbelief, but yes, it was my shawl!

It still boggles my mind how it was that, by complete fluke, I happened to pick pretty much exactly the correct spot where I had dropped my shawl. A bit of Beltane magic, maybe, or just sheer luck. Either way, I don’t think I’ve ever been so happy to find something that I thought was lost for good!

Greens and blues…

Today, this bundle of loveliness arrived in the post…

Shilasdair Luxury DK in gorgeous greens

Shilasdair Luxury DK in gorgeous greens

Yes, that is a whole pile of Shilasdair Luxury DK in the most beautiful contrasting shades of green, and, yep, I know I’m a lucky girl to receive stuff like this in the mail on a regular basis! It’s one of the most fun aspects of what I do. Unfortunately I can’t give any details on what this heavenly stuff will become, but you’ll hear about it here eventually, I promise! Or, get on my newsletter and you’ll be the first to hear once the veil of secrecy has been lifted…

I recently got a beautiful new camera and I’ve been obsessively photographing everything within sight. I’m still getting to grips with all the settings, but it’s so much fun! And it’s arrived just in time for my new self-published pattern, Taliesin, which should be released in the first or second week of July.

Cables, cables and more cables!

Cables, cables and more cables!

This pattern is still in the test-knitting/editing phase, but if you’d like to find out as soon as it’s released, you can either sign up for my newsletter or drop me a PM on Ravelry. I also have a new Ravelry group for my designs too – come and join if you’d like to discuss my patterns – or pretty much anything else!

Scribblebook Wednesday #2 – Pi!

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Another Wednesday, another wanton baring of my messy, messy notebooks… In this particular installment, I am dredging up some equations involving Pi from the murky depths of memory, in order to calculate measurements for a circular shawl knitted from the outside in. Also, some Celtic knotwork doodles (showing a little of the underlying grids used in construction) and some completely unrelated writing in Greek (I’m trying to learn Greek at the moment… as much as I try to keep my notebooks solely design-focused, sometimes other bits and pieces creep in inevitably!)

Scribblebook Wednesday #1 – Nennir knotwork

Due to my apparent complete lack of ability to keep this blog updated regularly, I’ve decided to take some inspiration from the wonderful world of Havi Brooks, of The Fluent Self. She has a couple of weekly blog rituals, and I thought it might be fun to do something similar here. When I’m designing, I tend to work stuff out visually, pencil and paper and graphs, and as a result, I have lots and lots of design notebooks filled with drawings, charts, calculations, etc. I am by no means any kind of artist, I like to draw out my ideas, but they are definitely scribbles rather than sketches. I always find it fascinating to see other designers’ notebooks, so henceforth, every Wednesday I shall show you a page or two of my own. It may not always be pretty but I hope it may at least be an entertaining little peek into my designing process. 🙂
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This page shows me working out the Celtic knotwork panel for Nennir (which was published in Knitty Winter 2012 – probably the most exciting thing to happen to me in quite some time!). You can see that I played with a few different variations of the shape of the knot before deciding on one that I liked best. The pencil sketch in the top left corner shows how I’ve constructed the knotwork – this is a technique I learnt from the writings of George Bain and Aidan Meehan. This is how I usually work when designing Celtic cables – I play around until I’ve drawn a cable I like, then I look long and hard at it and figure how to translate it into knitted cables. Usually I pick a spot in the centre of the knot and work outwards symmetrically. Maybe one day I’ll do a series of posts on my techniques of translating drawn Celtic knots to knitted Celtic knots, but it’s a complex process, so I shall stop there for now!

If any other designers would like to share some pages from their notebooks, I’d love to see them! 🙂